1941, Alberta Lea, Minnesota

Mary Kelly: Interim The New Museum of Contemporary Art, New York 1990
"Re-Viewing Modernist Criticism" in Art After Modernism: Rethinking Representation The New Museum of Contemporary Art  1984 
Difference: On Representation and Sexuality The New Museum of Contemporary Art, New York 1984 
Documenta 12  Kassel, Germany 2007
Empty Dress: Clothing as Surrogate in Recent Art [curator: Nina Felshin] Independent Curators, Inc., New York 1993
Endgame: Reference and Simulation in Recent Painting and Sculpture [mentioned in essay by Hal Foster / work not in exhibition] The Institute of Contemporary Art, Boston  1987 
Global Conceptualism: Points of Origin, 1950s-1980s Queens Museum of Art  1999
Gloria:Another Look at Feminist Art of the 1970s White Columns, New York 2002
Inquires: Language in Art Art Museum of Ontatio 1990
Live in Your Head: Concept and Experiment in Britan 1964-75 Whitechapel Art Gallery  2000 
Nina in Position Artists Space, New York 2008
Nowhere / Now Here  Louisiana Museum of Modern Art, Humlebeak, Denmark 1996 
Occupying Space: Sammlung Generali Foundation Collection  Generali Foundation, Vienna 2003 
Temporarily Possessed: The Semi-Permanent Collection The New Museum of Contemporary Art, New York 1995
The Critical Eye / I  Yale Center for British Art  1984
The Decade Show: Frameworks of Identity in the 80s The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York 1990
The Fairy Tale: Politics, Desire, and Everyday Life Artists Space, New York 1986 
WACK! Art and the Feminist Revolution The Museum of Contemporary Art, Los Angeles 2007
Whitney Biennial 1991 [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] Whitney Museum of American Art 1991
Whitney Biennial 2004 [Chrissie Iles, Shamim M. Momin, and Debra Singer]  Whitney Museum of American Art, New York 2004 
Word as Image: American Art 1960-1990  Milwaukee Art Museum 1990
Alternative Art New York 1965-1985 The Drawing Center / University of Minnesota Press 2002
Appropiation [Documents of Contemporary Art] MIT Press / Tate Gallery 2009
Art After Conceptual Art MIT Press / Generali Foundation 2006
Art After Modernism: Rethinking Representation  The New Museum of Contemporary Art  1984 
Conceptual Art: A Critical Anthology  MIT Press  1999
Conceptual Art and the Politics of Publicity  MIT Press  2003 
5000 Artists Return to Artists Space: 25 Years  Artists Space / D.A.P. Press  1998
Get the Message? A Decade of Art for Social Change [Lucy Lippard] E.P. Dutton 1984
One Place After Another: Site-Specific Art and Locational Identity  MIT Press 2004
Performance: Live Art Since 1960 Harry N. Abrams 1998
Rewriting Conceptual Art Reaktion Books [Critical Views], London 1999
Surface Tension: Prolematics of Site Errant Bodies Press 2003
The Everyday [Documents of Contemporary Art] MIT Press and Whitechapel Gallery 2008
Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings  University of California Press 1996 
The Pink Glass Swan: Selected Feminist Essays on Art  The New Press, New York 1995
Art Journal [Readymade, Found Objects, Photograph] Summer 2004
Documents #13 [Re) Viewing Mary Kelly's "Post-Partum Document" by Juli Carson] Fall 1998
Heresies #12 Sex Issue Heresies 1981
Studio International Vol. 195 No. 990 - Special Issue: Art Galleries & Alternative Spaces Studio International 1980
Third Text # 12 - Body Politics  Third Text, Autumn  1990 
Wedge # 6 Wedge  1984 
X-Tra Vol. 5 #3 Project X Foundation for Art and Criticism 2003
Mary Kelly at Postmasters  Flash Art, October  1989