SOL LEWITT

1928, Hartford, Conn. - 2007

F / B / S / V / INSTV

ARTISTS' BOOKS AND MULTIPLES

 
   
Art & Project Bulletin # 018 art & project 1970
Art & Project Bulletin # 032 art & project 1971
Art & Project Bulletin # 043 art & project 1971
Art & Project Bulletin # 060 art & project 1972
Art & Project Bulletin # 088 art & project 1975
Chicago SPACEX 2002
Do It Yourself Kit [with Lawrence Weiner and Jessica Diamond] IC Editions 1993
Ficciones (Borges) Limited ed. 1,500 signed The Anthoensen Press 1984
Five Structures  Hammarskjold Plaza Sculpture Garden / courtesy John Weber Gallery 1976
Four Basic Kinds of Lines and Colour Lisson Gallery 1971
Four Basic Kinds of Straight Lines Studio International 1969
Isometric Drawings  Paula Cooper Gallery and John Weber Gallery 1982
Lines & Formes Yvon Lambert  1989
Lines in two directions and in five colors on five colors with all their combinations Walker Art Center 1988
Openings Series Morning Star Publications 1994
PhotoGrids  Paul David Press  1977 
Schematic drawing for Muybridge II [from Artists and Photographs Box] Multiples, Inc. 1970
Serial Project # 1 (1967 Dwan Gallery Exhibition - included in Aspen 5+6 Aspen Magazine  1967
The Location of Lines  Lisson Publications 1974
The Location of Straight, Not-Straight & Broken Lines and All Their Combinations  John Weber Gallery, New York 1976
Wall Drawings & Structures: The Location of Six Geometric Figures / Variations of Incomplete Open Cubes John Weber Gallery, New York 1974
     
EPHEMERA  

 

 
A line drawn between the two points where... [exhibition flyer] Galerie December, Munster 1974
All Combinations of Arcs from Four Corners, Arcs from Four Sides... [poster]  Visual Arts Museum, New York 1976
Double Page Number 1: Sol Lewitt / Location of Six Geometric Figures. Published by Annemarie Verna, Zurich 1976
Forms derived from a cube [poster] Leo Castelli, New York  1982
One Set of Nine Pieces [poster] Dwan Gallery 1967
One line from the middle of the left side.... [postcard] Image Bank Post Card Show 1977
Sol LeWitt [poster] Heiner Friedrich Gallery, Munich 1968
     
EXHIBITION BROCHURES   

 
   
Sol LeWitt [includes floor plan for wall drawings] Museum of Modern Art, NY  1978 
Sol LeWitt: A Retrospective [Whitney Museum brochure]  San Francisco MoMA  2000 
Sol LeWitt: A Wall Drawing Retrospective [Gallery Guide] MASS MoCA 2008
Sol LeWitt: Prints 1970 - 1995 Museum of Modern Art, NY  1996 
     
DOCUMENTS AND OTHER PUBLICATIONS    
     
Art Workers Coalition - Open Hearing Art Workers Coalition  1969
Dokumente zur Aktuellen Kunst 1967 -1970 [materials from the archives of Harald Szeemann]  Kunstkreis AG Luzern 1972
John Weber Gallery Newsletter  John Weber Gallery  1975 
July, 1969 [includes LeWitt's: Plan for Wall Drawing - at Paula Cooper Gallery, for the Art Workers Colalition benefit] Art Press, New York [The Society for Theoretical Art & Analyses] 1969
Projects Class (12 artists / 12 cards - submitted to class)  Nova Scotia College of Art and Design  1969
The Museum of Drawers Kunsthaus Zurich 1978
ARTICLES / PROJECTS     
     
Joint Statement [presented as an ad] in Artforum regarding exhibitions and artists rights (in response to Documenta 5) Artforum, June 1972
Numero Quattro a cura di Sol Lewitt - Periodical Curated by LeWitt  Edizione Cenobio Visualita Ass., Milan 1982
Paragraphs on Conceptual Art  in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings  1996
Sentences on Conceptual Art in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings  1996
Walls Rooms Lines [3 works by LeWitt linked to text by Lippard] Unmuzzled Ox #13 1976
     
INDIVIDUAL CATALOGUES:    
Sol LeWitt Museum of Modern Art, NYC 1978
Sol LeWitt: A Retrospective San Francisco MoMA 2000
Sol LeWitt: Incomplete Open Cubes The Wadsworth Atheneum 2001
Sol LeWitt: Structures 1962-1993 [Chrissie Iles / David Elliott / Rosalind Krauss / David Batchelor] Museum of Modern Art Oxford 1993
     
CATALOGUES INCLUDING LEWITT:    
     
Actualite d'un Bilan  Yvon Lambert, Paris  1972
A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] The Museum of Contemporary Art, Los Angeles 1989
Afterimage: Drawing Through Process  Museum of Contemporary Art, Los Angeles  1999
A Minimal Future? Art as Object 1958-1968  The Museum of Contemporary Art, L.A.  2004
Ars - Aevi - International Cultural Project  Museum of Contemporary Art, Sarajevo  1999 
Art by Telephone  Museum of Contemporary Art, Chicago  1969 
Art in Space: Some Turning Points The Detroit Institute of Arts 1973
Artist and Camera  Art Council of Great Britian 1980 
A Second Talent: Painters and Sculptors Who are Also Photographers  The Aldrich Museum of Contemporary Art 1985
A View of a Decade 1967-1977  Museum of Contemporary Art, Chicago  1977
Beyond Geometry: Experiments in Form, 1940s-1970s  Los Angeles County Museum of Art 2004 
Beyond Preconceptions: The Sixties Experiment  Independent Curators International, NY  2000 
Blurring the Boundries: Installation Art 1969-1996 Museum of Contemporary Art, San Diego 1996
Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990  Wexner Center for the Arts 1991
Carnegie International 1985 [Curators: John R. Lane and John Caldwell] The Carnegie Museum of Art, Pittsburg, Pennsylvania 1985
Color Chart: Reinventing Color, 1950 to Today Museum of Modern Art, New York 2008 
Concept </> Decoratif: Anti-Formalist Art of the 70s Nahan Contemporary, New York  1990
Conception, Conceptual Documents 1960-1990 Norwich Gallery, Norwich School of Art and Design, U.K. 2001
Construction in Process  37 Pkwn Street, Lodz, Poland  1981 
Contemporary Sculpture. Projects in Munster 1997  Munster, Germany  1997
Deurle 11/7/73 (ed. 250) La Cambre, Brussels 1973
Dia: Beacon [Collection Catalogue]  Dia Art Foundation  2003 
Diagrams & Drawings  Rijksmuseum Kroller-Muller, Otterlo  1972
Directions 3: Eight Artists  Milwaukee Art Center 1971
Documenta 4 [curator: Arnold Bode]  Kassel, Germany  1968 
Documenta 5 Kassel, Germany 1972
Documenta 6 [curator: Manfred Schneckenburger]  Kassel, Germany  1977 
Documenta 7  Kassel, Germany 1982 
Drawings  John Weber Gallery, New York 1991
Earth Works (no catalogue, anouncement card written in sand) Virginia Dawn Gallery 1968
18 Paris IV.70 Seth Siegelaub 1970
First Impressions: Early Prints by Forty-six Contemporary Artists The Walker Art Center, Minneapolis 1989
Exhibition to Benefit the Student Mobilization Committee to End the Vietnam War [no catalogue, included as a point of information] Paula Cooper Gallery 1968
557,087 Seattle 1969
Focus 2: Minimal Art, Concept Art, Land Art and Arte Povera [brochure] Museum Moderner Kunst Stiftung Ludwig  2004
From the Collection of Sol LeWitt  ICI - Independent Curators 1984
Function of Drawing  Rijksmuseum Kroller-Muller, Otterlo  1975 
Global Conceptualism: Points of Origin, 1950s-1980s Queens Museum of Art  1999
Guggenheim International Exhibition Guggenheim Museum 1971
Image Bank Post Card Show  Image Bank, Vancouver 1977
In & Out of Amsterdam: Travels in Conceptual Art, 1960-1976 The Museum of Modern Art, New York 2009
In another moment / at the moment Gallery SKG, Belgrade 1971
Information MoMA, NY 1970
July / August Exhibition Book Studio International 1970
July - August - September 1969 Seth Siegelaub 1969
Konzeption - Conception: Documentation of today's art tendencies Westdeutscher Verlag 1969
La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - The Entropy of Art / also in: Ambient Art Venice  1976 
La Biennale di Venezia 47  Venice, Italy  1997 
Lyon Biennale #5 - 5th Biennale D'Art Contemporain de Lyon - Partage d'Exotismes  Lyon, France  2000 
Minimal Art [in German] Akademie der Kunste, Berlin 1969
955,000 Vancouver, B.C. 1970
1967: At the Crossroads  Institute of Contemporary Art, Philadelphia 1987
No Title: The Collection of Sol LeWitt Wesleyan University 1981
Open Systems: Rethinking Art c. 1970  Tate Modern 2005
Pictures [not in exhibition but discussed in Lawson's essay] Artists Space, New York 1977
Primary Structures: Younger American and British Sculptors The Jewish Museum, New York  1966 
Prints: Bochner LeWitt Mangold Marden Martin Renouf Rockburne Ryman Art Gallery of Ontario 1975
Prospect 69  Kunsthalle Dusseldorf  1969 
Reasoned Space  Center for Creative Photography, U. of Arizona 1980
Reconsidering the Object of Art: 1965-1975  The Museum of Contemporary Art, Los Angeles 1995
San Diego Museum of Contemporary Art: A Selections from the Permanent Collection  San Diego Museum of Contemporary Art 1990
Schemes: A Decade of Installation Drawings Elise Meyer Inc 1981
75th American Exhibition Art Institute of Chicago 1982 
Singular Forms (Sometimes Repeated): Art from 1951 to the Present  Solomon R. Guggenheim Museum  2004 
'60 - '80: Attitudes / Concepts / Images Stedelijk Museum, Amsterdam 1982
Sniper's Nest: Art That Has Lived with Lucy R. Lippard  Center for Curitorial Studies, Bard College 1996
Sonsbeek 71 Park Sonsbeek, Arnhem  1971
Stations  Centre International D'Art Contemporian De Montreal 1988
Temporarily Possessed: The Semi-Permanent Collection The New Museum of Contemporary Art, New York 1995
10  Dwan Gallery 1966
The Art of the Real: USA 18948-1968 The Museum of Modern Art  1968
The Edge of Awareness World Health Organization 1998
The Last Picture Show The Walker Art Center  2003
The Political Arm  John Weber Gallery / Washington University Gallery of Art 1991
The Real Big Picture The Queens Museum, New York 1986
The Xerox Book  Seth Siegelaub / John Wendler 1968
Urban Encounters: Art Architecture Audience [listed in 100 sites] ICA, University of Pennsylvania 1980
Viewpoint: The Artist as Photographer Summit Art Center, Summit, New Jersey 1984
Wall Works John Weber Gallery 1986
Wall Works: Wall Installations in Editions 1992-93  Edition Schellmann, Koln and New York 1993
When Attitudes Become Form (Bern and London) Kunsthalle Bern 1969
Whitney Biennial 1979 [John G. Hanhardt, Barbara Haskell, Richard Marshall, Mark Segal and Patterson Sims] Whitney Museum of American Art 1979
Whitney Biennial 1987 [Richard Armstrong, Richard Marshall, and Lisa Phillips] Whitney Museum of American Art 1987
Wide White Space 1966-1976 Behind the Museum  Palis des Beaux-Arts de Bruxelles 1995
Working Drawings and other Visible Things on Paper Not Necessarily Meant to be Viewed as Art Walther Konig, Koln 1966/ 1997
Word as Image: American Art 1960-1990  Milwaukee Art Museum 1990
Word Works

Mt. San Antonio College, Walnut, California

1974
Zero to Infinity: Arte Povera 1962-1972  Walker Art Center 2001
     
SELECTED  BOOKS INCLUDING LEWITT    
     
Alternative Art New York 1965-1985 The Drawing Center / University of Minnesota Press 2002
Art After Conceptual Art MIT Press / Generali Foundation 2006
Art After Modernism: Rethinking Representation  The New Museum of Contemporary Art  1984 
Art in the Land: A Critical Anthology of Environmental Art E. P. Dutton 1983
Artists Talk: 1969-1977 NSCAD, Nova Scotia 2004
Art Recollections:Artists' Interviews and Statements in the Nineties Danilo Montanari & Exit & Zona Archives Editori 1997
Art Workers: Radical Practice in the Vietnam Era University of California Press 2009
Beyond Recognition: Representation, Power, and Culture University of California Press 1992
Challenging Art: Artforum 1962-1974  Soho Press 2000 
Changing: Essays in Art Criticism [Lucy Lippard]  E. P. Dutton & Co. 1971
Conceptual Art Dutton 1972
Conceptual Art  Phaidon 1998
Conceptual Art: A Critical Anthology  MIT Press  1999
Conceptual Art and the Politics of Publicity  MIT Press  2003 
Conceptuallism in Latin American Art: Didactics of Liberation University of Texas Press  2007
Creative Time: The Book 33 Years of Public Art in NYC Princeton Architectural Press 2007
Earthworks: Art and the Landscape of the Sixties  Boettger, Suzaan  2002
5000 Artists Return to Artists Space: 25 Years  Artists Space / D.A.P. Press  1998
From Margin to Center: The Spaces of Installation  Art  MIT Press  1999
From the Center: feminist essays on women's art  Dutton  1976 
Get the Message? A Decade of Art for Social Change [Lucy Lippard] E.P. Dutton 1984
Idea Art: A Critical Anthology Dutton  1973 
Jack Goldstein and the CalArts Mafia Minneola Press 2003
Land Art Tate Publishing 2006
Minimal Art: A Critical Survey  E.P. Dutton & Co. 1968 
Minimalism: Art and Polemics in the Sixties Yale University Press  2001 
New Art Rizzoli 1991
New Art in the 60s and 70s: Redefining Reality  Thames and Hudson  2001 
Okey Dokey Konrad Fischer Verlag der Buchhandlung Walther Konig, Koln 2007
One Place After Another: Site-Specific Art and Locational Identity  MIT Press 2004
On the Beaten Tack: tourism, art, and culture  The New Press, New York 1999
On the Museum's Ruins  MIT Press 1993
Out of the Box: The Reinvention of Art, 1965-1975  School of Visual Arts  2000 
Overlay: Contemporary Art and the Art of Prehistory  Pantheon  1983 
Postminimalism  Out of London Press  1977 
Recording Conceptual Art  [interviews originally carried out by Norvell in 1969] University of California Press 2001 
Rewriting Conceptual Art Reaktion Books [Critical Views], London 1999
Six Years: The dematerialization of the art object.... Praeger  1973 
SoHo: The Rise and Fall of an Artists' Colony  Routledge 2003
The Context of Art / The Art of Context  Navado Press, Trieste  2004 
The Contingent Object of Contemporary Art  MIT Press  2003 
The Everyday [Documents of Contemporary Art] MIT Press and Whitechapel Gallery 2008
The New Avant-Garde: Issues for the Art of the Seventies Gregoire Muller 1972 
Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings  University of California Press 1996 
Thinking About Exhibitions  Routledge 1996
Words To Be Looked At: Language in 1960s Art MIT Press 2007
     
 SELECTED PERIODICALS INCLUDING LEWITT    
     
Artforum ["Entropy and the New Momuments" by Robert Smithson]  June  1966 
Artforum [Earthworks and the New Picturesque] December 1968
Artforum [Sol LeWitt: Word - Object by Robert Pincus-Witten]  February 1973
Art in America, [Article: Impossible Art] May-June  1969 
Art in America  September 1975
Art in America, [A Critic's Diary: The New York Art Year by David Bourdon] July-August 1977
Art in America [Sol LeWitt: Energy as Form / LeWitt Goes to School] May-June 1978
Art International [A Museum of Language in the Vicinity of Art by Robert Smithson] March  1968
Art International [Buenos Aires]  April 20  1968 
Art International [Minimal Art at the Hague]  May 15  1968
Art Journal [(words)] Summer  1982 
Art-Language: The Journal of Conceptual Art Vol.1 #1 Art-Language 1969
Arts Magazine  April 1978 
Aspen No. 5+6  Fall / Winter  1967 
Avalanche #04 Avalanche 1972
New Observations # 8 New Observations Ltd, New York 1983
October # 8 [Sculpture in the Extended Field by Rosalind Krauss] Spring 1979
Studio International Vol. 195 No. 990 - Special Issue: Art Galleries & Alternative Spaces Studio International 1980
TriQuarterly #32 Charles Newman 1975
Vision #3 - New York City Crown Point Press 1976
0 to 9 Number 4  Acconci and Mayer, reprint 2006, June  1968
0 to 9 Number 5 Acconci and Mayer, reprint 2006, January  1969
0 to 9 Number 6 Acconci and Mayer, reprint 2006, July 1969
Unmuzzled Ox #13 Unmuzzled Ox, New York 1976
Vision #5 - Artists' Photographs Crown Point Press  1982 
     
EXHIBITION REVIEWS     
     
Sol LeWitt at Dwan Gallery Artforum, April  1968
Sol LeWitt at Dwan Gallery Art International, April 20  1968
Sol LeWitt at Dwan Gallery Artforum, December 1969
Sol LeWitt at John Weber Arts Magazine, November 1971 
Sol LeWitt at John Weber  Art in America, May-June  1973
Sol LeWitt at John Weber Arts Magazine, April 1978
Sol LeWitt at John Weber Artforum, January  1981 
     
EXHIBITION ADS    
     
Sol LeWitt Wall Drawings at John Weber Artforum, February 1973
     
IMAGES / INSTALLATIONS IN     
     
SoHo: The Essential Guide to Art and Life in Lower Manhattan  Simon and Schuster 1979