ADRIAN PIPER
1948, New York
| ARTISTS' BOOKS / CATALOGUE | ||
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| Adrian Piper: Pretend | Exit Art, New York | 1990 |
| Black Box White Box | New Langton Arts | 1993 |
| Colored People | Book Works, London | 1991 |
| Space, Time and Reference: 1967 - 1970 [text by Claudia Barrow] | self | 1990 |
| Talking to Myself (ed. 250) | Collabor-buro, Martine d'Ardembeau, Belgium | 1974 |
| BOOKS BY OR ABOUT PIPER | ||
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| Out of Order, Out of Sight: Selected Writings in Media-Art 1968 - 1992 V.1&2 [the writings of Adrian Piper] | The MIT Press, Boston | 1996 |
| INDIVIDUAL CATALOGUES / BROCHURES | ||
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| Adrian Piper (brochure) | The New Museum of Contemporary Art, New York | 2000 |
| Adrian Piper: A Retrospective | Fine Arts Gallery, University of Maryland Baltimore County | 1999 |
| Adrian Piper: Reflections 1967 - 1987 | The Alternative Museum, New York | 1987 |
| Adrian Piper Matrix 56 (brochure) | Matrix Gallery, Wadsworth Atheneum | 1980 |
| INTERVIEWS AND ESSAYS | ||
| An Open Letter to Donald Kuspit | Real Life Magazine: Selected Writings and Project s 1979-1994 | 2006 |
| Ideology, Confrontation and Political Self-Awareness | The Citizen Artist: 20 Years of Art in the Public Arena - An Anthology from High Performance Magazine 1978-1998# | 1998 |
| Interview with Maurice Berger | Art, Activism & Oppositionality: Essays from Afterimage | 1989 |
| The Critique of Pure Racism: An Interview with Adrian Piper | Afterimage, Vol.18, #3, October | 1990 |
| Xenophobia and Indexical Present | Reimagining America: The Arts of Social Change | 1990 |
| Selected writings and images in: Witness to Her Art | Center for Curatorial Studies, Bard College | 2006 |
| OTHER PUBLICATIONS | ||
| Democracy: A Project by Group Material | Bay Press / Dia Art Foundation | 1990 |
| July, 1969 [includes Piper's: untitled - "Information identifying the following pages: ... blank pages] | Art Press, New York [The Society for Theoretical Art & Analyses] | 1969 |
| EXHIBITION EPHEMERA | ||
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| Dear Friend, I am black... [small card] | Angry Art | 1986 |
| Dear Friend, I am not here to pick anyone up, or to be picked up... [small card] | Angry Art | 1986 |
| SELECTED CATALOGUES INCLUDING PIPER | ||
| A Decade of New Art: Artists Space | Artists Space, New York | 1984 |
| ARS 95: Private/Public [Curator: Maria Hirvi] | Museum of Contemporary Art, Finnish National Museum, Helsinki | 1995 |
| Artists of Conscience | The Alternative Museum, NY | 1991 |
| Billboard Art on the Road | MASS MoCA, North Adams, Massachusetts | 1999 |
| Bodyworks | Museum of Contemporary Art, Chicago | 1975 |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Collected Views from East to West [no catalogue] | Generali Foundation, Vienna | 2004 |
| Committed to Print: Social and Political Themes in Recent American Printed Art | The Museum of Modern Art, New York | 1988 |
| Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
| Conceptual Art Conceptual Aspects | The New York Cultural Center | 1970 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Disarming Images: Art for Nuclear Disarmament | The Art Museum Association of America | 1984 |
| Dislocations | Museum of Modern Art, New York | 1991 |
| Dispossessed Installations | Florida State University Gallery and Museum | 1992 |
| Documenta 11 | Kassel, Germany | 2002 |
| Double Life: Identity and Transformation in Contemporary Life | Generali Foundation, Vienna | 2001 |
| Drawings | John Weber Gallery, New York | 1991 |
| Duration Piece #8 Global | Douglas Huebler | 1973 |
| Events: Fashion Moda / Taller Boricua / Artists Invite Artists | The New Museum of Contemporary Art, NY | 1980 |
| 557,087 | Seattle | 1969 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| Gloria:Another Look at Feminist Art of the 1970s | White Columns, New York | 2002 |
| Information | Museum of Modern Art, New York | 1970 |
| Intervenciones | Pabellon de Andalucia | 1992 |
| Konzeption - Conception: Documentation of Today's Art Tendencies | Westdeutscher Verlag | 1969 |
| ...., Louise Lawler, Adrian Piper, and Cindy Sherman | Artists Space, New York | 1978 |
| Making Their Mark: Women Artists Move Into The Mainstream 1970-85 | Cincinatti Museum of Art | 1993 |
| Matrix, A Changing Exhibition of Contemporary Art [1980] | Wadsworth Atheneum, Hartford, CT | 1975+ |
| 995,000 | Vancouver | 1970 |
| Nowhere / Now Here | Louisiana Museum of Modern Art, Humlebeak, Denmark | 1996 |
| Occupying Space: Sammlung Generali Foundation Collection | Generali Foundation, Vienna | 2003 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Re/Righting History: Counternarratives by Contemporary African-American Artists | Katonah Museum of Art, Katonah, New York | 1999 |
| 10th Biennale de Paris | Palais de Tokyo / Musee d'Art Moderne | 1977 |
| The Art of Memory / The Loss of History | The New Museum of Contemporary Art | 1986 |
| The Big Show / Healing | NICC, Antwerp | 2001 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Political Arm | John Weber Gallery / Washington University Gallery of Art | 1991 |
| Thinking Print: Books to Billboards, 1980-1995 | The Museum of Modern Art, New York |
1996 |
| Twenty Six Contemporary Women Artists [Lucy Lippard] | The Aldrich Museum of Contemporary Art | 1971 |
| Unknown Secrets: Art and the Rosenberg Era | Hillwood Art Gallery, Long Island University, New York | 1988 |
| WACK! Art and the Feminist Revolution | The Museum of Contemporary Art, Los Angeles | 2007 |
| Walking in the City | Apex Art, New York [also Kunsthalle Fridericianum, Kassel] | 2003 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| Word Works | Mt. San Antonio College, Walnut, California |
1974 |
| MENTIONED IN CATALOGUE ESSAY (NOT IN EXHIBITION) | ||
| Whitney Biennial 1993 - essay by Coco Fusco: Passionate Irreverence: The Cultural Politics of Identity [includes: Edgar Heap of Birds, Adrian Piper, and Fred Wilson] | Whitney Museum of American Art | 1993 |
| SELECTED BOOKS INCLUDING PIPER | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art, Activism & Oppositionality: Essays from Afterimage | Duke University Press | 1998 |
| Art and Social Chane: A Critical Reader | Tate Publishing in association with Afterall | 2007 |
| Art Matters: How the Culture Wars Changed America | New York University Press | 1999 |
| Art Workers: Radical Practice in the Vietnam Era | University of California Press | 2009 |
| Blasted Allegories: An Anthology of Writings by Contemporary Artists | The New Museum of Contemporary Art | 1987 |
| But is it Art? The Spirit of Art as Activism | Bay Press | 1995 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Collectivism After Modernism: The Art of Social Imagination After 1945 | University of Minnesota Press | 2007 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| English is Broken Here: Notes on Cultural Fusion in the Americas [Fusco, Coco] | The New Press, New York | 1995 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| How many 'bad' feminists dose it take to change a lightbulb? | Sixty Percent Solution, New York | 1994 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Individuals: Post-Movement Art in America | E.P. Dutton & Co., Inc. | 1977 |
| Mapping the Terrain: New Genre Public Art | Bay Press | 1995 |
| Mixed Blessings: New Art in a Multicultural America [Lucy Lippard] | Pantheon Books | 1990 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Performance Artists Talking in the Eighties | University of California Press, Berkely | 2000 |
| Performance: Live Art 1909 to the Present | Harry N. Abrams | 1979 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Real Life Magazine: Selected Writings and Project s 1979-1994 | Primary Information, New York | 2006 |
| Reimagining America: The Arts of Social Change | Dia Art Foundation: Discussions in Contemporary Art Number 5 | 1990 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Amazing Decade: Women and Performance Art in America 1970-1980 | Astro Artz | 1983 |
| The Artist's Contract | Verlag der Buchhandlung Walther Konig, Koln |
2009 |
| The Bodies That Were Not Ours and other writings [Coco Fusco] | Routledge | 2001 |
| The Citizen Artist: 20 Years of Art in the Public Arena - An Anthology from High Performance Magazine 1978-1998# | Critical Press / D.A.P. | 1998 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The Everyday [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2008 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| Witness to Her Art | Center for Curatorial Studies, Bard College | 2006 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| PERIODICALS INCLUDING PIPER | ||
| Art in America [Being and Politics - Alternative Museum exhibition] | September |
1990 |
| Art Nexus #41 [Adrian Piper / Yoko Ono: Conceptualism and Biographies by Luis Camnitzer] | August-October | 2001 |
| Art-Rite # 11-12 | Art-Rite Publishing | 1975-6 |
| Heresies #8 Third World Women: the politics of being other | Heresies | 1979 |
| Studio International [Groups by Lucy Lippard] | March | 1970 |
| Studio International Vol. 195 No. 990 - Special Issue: Art Galleries & Alternative Spaces | Studio International | 1980 |
| The Fox #1 | art & language | 1975 |
| The Fox #2 | art & language | 1975 |
| Third Text # 16/17 [In Memory of The News and of Ourselves: The Art of Adrian Piper] | Third Text, Autumn / Winter | 1991 |
| Third Text # 38 | Third Text, Spring | 1997 |
| TriQuarterly # 32 (with cards) | TriQuarterly | 1975 |
| X-Tra Vol. 5 #3 | Project X Foundation for Art and Criticism | 2003 |
| 0 to 9 Number 5 | Acconci and Mayer, reprint 2006, January | 1969 |
| 0 to 9 Number 6 | Acconci and Mayer, reprint 2006, July | 1969 |
| EXHIBITION REVIEWS | ||
| Adrian Piper at Western Front, Vancouver | Parachute #23 | 1981 |
| Adrian Piper: A Retrospective | Art Journal, Spring | 2000 |