JAUNE QUICK-TO-SEE SMITH

1940, St. Ignatius Indian Mission, Salish and Kootenai Nation, Montana

INDIVIDUAL CATALOGUES    
     
Jaune Quick-to-See Smith Danforth Museum of Art, Farmingham, MA 2003
Jaune Quick-to-See Smith: A Journey Through Tribal Lands Anton Gallery, Washington, D.C. 2001
Jaune Quick-to-See Smith: Made in America Harwood Museum of Art, The University of New Mexico 2003
     
IMAGES BY SMITH USED IN    
   
How to '92: Model Actions for a Post-Columbian World [cover] Alliance for Cultural Democracy 1992
     
EPHEMERA     
     
Jaune Quick-to-See Smith: Horses Make a Landscape Look More Beautiful: Works on Paper (announcement card with image) Bernice Steinbaum Gallery, New York 1986
Jaune Quick-to-See Smith: Poet in Paint (single fold brochure with images, checklist and statement) Neuberger Museum of Art 2001
     
CATALOGUES INCLUDING SMITH
Sniper's Nest: Art That Has Lived with Lucy R. Lippard  Center for Curitorial Studies, Bard College 1996
The Decade Show: Frameworks of Identity in the 80s The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York 1990
The Matter at Hand: Contemporary Drawings   Fine Arts Gallery, UWM Art Museum, U. of Wisconsin, Wilwaukee 1990
     
BOOKS INCLUDING SMITH    
     
5000 Artists Return to Artists Space: 25 Years  Artists Space / D.A.P. Press  1998
Mapping the Terrain: New Genre Public Art Bay Press 1995
Mixed Blessings: New Art in a Multicultural America [Lucy Lippard] Pantheon Books 1990
The Lure of the Local: senses of place in a multicentered society The New Press, New York 1997
The Pink Glass Swan: Selected Feminist Essays on Art  The New Press, New York 1995
Thinking About Exhibitions  Routledge 1996
     
PEREODICALS INCLUDING SMITH    
Heresies #8 Third World Women: the politics of being other Heresies 1979
Heresies #15 Racism Heresies 1982
New Observations # 88 1492 - New World Women - 1992 New Observations Ltd., New York 1992
Third Text # 38 [Coyote's Ransom: Jaune Quick-to-See Smith and the Language of Appropriation] Third Text, Spring  1997 
     
EXHIBITION REVIEWS