1925, Port Arthur, Texas - 2008

Currents Dayton's Gallery 12 1970
Linoleum (1967) [excerpt] Aspen Magazine 5& 6  1967 
Open Score (1966) Microcinema 2007

Next Wave Festival 1983 Program [Trish Brown: collaboration with Robert Rauschenberg and Donald Judd, visuals / Laurie Anderson, music-performance]

Brooklyn Academy of Music  1983
A Different War: Vietnam in Art  [mentioned in Lippard's essays, not in the exhibition] Independent Curators Incorporated, New York [traveled] 1990
Art About Art  Whitney Museum of American Art 1978
A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] The Museum of Contemporary Art, Los Angeles 1989
A Second Talent: Painters and Sculptors Who are Also Photographers  The Aldrich Museum of Contemporary Art 1985
Aspects of the 70's - Photography: Recent Directions DeCordova Museum, Lincoln, Massachusetts 1980
Blam! The Explosion of Pop, Minimalism and Performance 1958-1964  Whitney Museum of American Art  1984 
Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990  Wexner Center for the Arts 1991
Color Chart: Reinventing Color, 1950 to Today Museum of Modern Art, New York 2008 
Committed to Print: Social and Political Themes in Recent American Printed Art The Museum of Modern Art, New York  1988
Connections: Bridges/Ladders/Ramps/Staircases/Tunnels  Institute of Contemporary Art, University of Pennsylvania  1983 
Constitution [organized by Group Material] The Temple Gallery, Temple University, Philadelphia 1987
Critical Mass: Happenings, Fluxus, Performance, Intermedia and Rutgers University 1958-1972  Mason Gross Art Galleries, Rutgers University / Mead Art Gallery, Amherst 2003 
Deep Storage: Collecting, Storing, and Archiving in Art P.S.1 Contemporary Art Center 1998 
Directions 1: Options  Milwaukee Art Center  1968
Disarming Images: Art for Nuclear Disarmament  The Art Museum Association of America 1984
Documenta 4 [curator: Arnold Bode]  Kassel, Germany  1968 
Documenta 6 [curator: Manfred Schneckenburger]  Kassel, Germany  1977 
First Impressions: Early Prints by Forty-six Contemporary Artists The Walker Art Center, Minneapolis 1989
Idea and Image in Recent Art The Art Institute of Chicago 1974
Image World: Art and Media Culture  Whitney Museum for American Art 1989 
Improbable Furniture Institute of Contemporary Art, Philadelphia 1977
La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - The Urban Iconosphere Venice  1976 
la Biennale di Venezia 46: Identity and Alterity: Figures of the Body 1895-1995 [Jean Clair] Venice, various locations  1995
1967: At the Crossroads  Institute of Contemporary Art, Philadelphia 1987
Off Limits: Rutgers University and the Avant-Garde, 1957-1963 [mentioned in text - not in exhibition] The Newark Museum  1999
Out of Actions: Between Performance and the Object 1949-1979  L.A. Museum of Contemporary Art 1998 
Outside the Frame: Performance and the Object Cleveland Center for Contemporary Art 1994
Singular Forms (Sometimes Repeated): Art from 1951 to the Present  Solomon R. Guggenheim Museum  2004 
'60 - '80: Attitudes / Concepts / Images Stedelijk Museum, Amsterdam 1982
Sniper's Nest: Art That Has Lived with Lucy R. Lippard  Center for Curitorial Studies, Bard College 1996
Temporarily Possessed: The Semi-Permanent Collection The New Museum of Contemporary Art, New York 1995
The Art of Participation: 1950 to Now San Francisco Museum of Modern Art 2008
The Edge of Awareness World Health Organization 1998
The Machine as seen at the end of the mechanical age  The Museum of Modern Art, New York 1968
The Object Transformed   The Museum of Modern art, New York 1966
The Rebounding Surface: A Study of Reflections in the Work of Nineteen Contemporary Artists [curator: Linda Weintraub] Edith C. Blum Art Institute Avery Center for the Arts, Bard College  1982 
The Real Big Picture The Queens Museum, New York 1986
The Television's Impact on Contemporary Art  The Queens Museum, New York 1986 
Thinking Print: Books to Billboards, 1980-1995 The Museum of Modern Art, New York
Urban Encounters: Art Architecture Audience [listed in 100 sites] ICA, University of Pennsylvania 1980
Viewpoint: The Artist as Photographer Summit Art Center, Summit, New Jersey 1984
Whitney Biennial 1991 [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] Whitney Museum of American Art 1991
Word as Image: American Art 1960-1990  Milwaukee Art Museum 1990
Works for New Spaces  Walker Art Center, Minneapolis  1971
X-Screen: Film Installations and Actions in the 1960s and 1970s  Museum Moderner Kunst Stiftung Ludwig Wein 2004 
ABC No Rio Dinero: The Story of a Lower East Side Art Gallery  ABC No Rio with Collaborative Projects 1985
Appropiation [Documents of Contemporary Art] MIT Press / Tate Gallery 2009
Art After Modernism: Rethinking Representation  The New Museum of Contemporary Art  1984 
Art and Artifact: The Museum as Medium  Thames & Hudson 2001
Art & Technology: A Report on the Art & Technology Program of the Los Angeles County Museum of Art, 1967-1971  Los Angeles County Museum of Art / The Viking Press 1971
Art in the Land: A Critical Anthology of Environmental Art E. P. Dutton 1983
Art Workers: Radical Practice in the Vietnam Era University of California Press 2009
Assemblage, Environments & Happenings Abrams 1966
Beyond Recognition: Representation, Power, and Culture University of California Press 1992
Challenging Art: Artforum 1962-1974  Soho Press 2000 
Collectivism After Modernism: The Art of Social Imagination After 1945 University of Minnesota Press 2007 
Conceptual Art  Phaidon 1998
From Margin to Center: The Spaces of Installation  Art  MIT Press  1999
From the Center: feminist essays on women's art  Dutton  1976 
Get the Message? A Decade of Art for Social Change [Lucy Lippard] E.P. Dutton 1984
Happenings and Other Acts  Routledge 1995
Jack Goldstein and the CalArts Mafia Minneola Press 2003
Land Art Tate Publishing 2006
Minimal Art: A Critical Survey  E.P. Dutton & Co. 1968 
Minimalism: Art and Polemics in the Sixties Yale University Press  2001 
New Art Rizzoli 1991
New Art in the 60s and 70s: Redefining Reality  Thames and Hudson  2001 
New Art of Cuba [author: Luis Camnitzer] (Rauschenberg's influence on Cuban artists) University of Texas Press, Austin 1994
On the Museum's Ruins  MIT Press 1993
Out of the Box: The Reinvention of Art, 1965-1975  School of Visual Arts  2000 
Overlay: Contemporary Art and the Art of Prehistory  Pantheon  1983 
Performance: Live Art 1909 to the Present Harry N. Abrams 1979
Performance: Live Art Since 1960 Harry N. Abrams 1998
Rewriting Conceptual Art Reaktion Books [Critical Views], London 1999
Six Years: The dematerialization of the art object.... Praeger  1973 
SoHo: The Rise and Fall of an Artists' Colony  Routledge 2003
The Archive [Documents of Contemporary Art] MIT Press and Whitechapel Gallery 2006
The Artist's Contract

Verlag der Buchhandlung Walther Konig, Koln

The Contingent Object of Contemporary Art  MIT Press  2003 
The Everyday [Documents of Contemporary Art] MIT Press and Whitechapel Gallery 2008
Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings  University of California Press 1996 
The Theatre of Mixed Means The Dial Press, New York 1968
Words To Be Looked At: Language in 1960s Art MIT Press 2007
The Arties - Franklin Furnace's Tenth Anniversary Celebration  Franklin Furnace, New York 1986
Art in America [print insert]  November-December  1970 
Art in America [Give my regards to Eighth Street]  March-April 1971
Art in America [Vietnam War protest print] November-December 1971
Art in America [Four Difficult Pieces (Robert Rauschenberg)] July  1991
Art in America [Compound Pleasures - Rauschenberg's Combines] December 2006
Art Journal [Robert Rauschenberg: A Retrospective] Summer 1998
Aspen No. 5+6  Fall / Winter  1967 
Grand Street #38 [artists pages: Seven Works on Paper]  Grand Street 1991
Grand Street #62 - Itentity [Women of Allah: Secret Identities] Grand Street 1997
Third Text # 24  Third Text, Autumn  1993